Are you scouring the web for free Ableton project files? If so then you’ve reached your destination. This page is home to a treasure trove of free project files and free Ableton Live templates!
Ableton Live is state of the art music software for creating and mixing music. It’s used by professional artists and DJs all over the world.
Luckily, the web is ripe with free Ableton project files if you know where to look. To make your life easier, we compiled the best Ableton Live project files we could find and created this huge list for you.
If you’re new to Ableton Live, starting with an completed Ableton template also makes learning the software much easier.
Mar 27, 2020 Ableton Live 10.1.9 Crack Full Win/Mac 2020. Ableton Live 10.1.9 Crack is a program music arranger and digital audio workstation. It is a tool for live performances as well as for composing, recording, setting, blending and controlling.
We put together this huge list of free projects and templates designed by professional producers for you to download and dissect.
You will also find a list for Ableton tutorials and tips to help you in your music production adventure.
I arranged the project files by genre for simplicity. When you visit the links, you can preview the music and click the download button to get the files directly.
BassGorilla Free Ableton Project Files
First of all, BassGorilla has made many of the Ableton Live project files from their YouTube tutorials available for free download!
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Go here to access all of BassGorilla’s Ableton Live project files from their YouTube tutorials.
Secondly, you get grab the completed project file from our Ableton Live Skill Builder Course.
This free download also comes with a sample pack by Bass Music producer SKOPE (A.K.A. MALUX) and a jazz chords midi pack by Haywyre (MonsterCat signed artist)
This 52 part course not only walks you through how to use every function of all the main tools inside Ableton Live, but it also shows you the entire workflow on how to produce a song from start to finish. You can see the whole course for free here.
Ableton Projects for Dubstep
If you love dubstep, drumstep, melodic dubstep or other styles of half tempo 140 BPM music, then check out these free dubstep project files. Tubetamil tamil vijay tv serial list.
Free Project Files for House Music
If you love making deep house, electro house, progressive house, big room house, tribal house, Latin house, tech house or any other type of house music in Ableton Live, then download any of these project files and see exactly how they were made.
Ableton Project Files for Deep House Music
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Because deep house is one of the most popular genres of house music, here is a list of Ableton project files specifically for deep house.
Project Files for Techno Music
If techno is your thing, whether it’s hardcore techno, bass techno, minimal techno, acid techno, industrial techno or some other type of techno music, download some of these files and reverse engineer them to your heart’s content.
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Free Project Files for Minimal Techno Music
Free Ableton Project Files for Electronic Music
There is a huge variety of electronic music genres and sub genres. Here are some Ableton Live project files of electronic music and EDM songs for you to check out.
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Free Ableton Templates From The Official Ableton Site
Here are some links to some great Ableton templates! Each set contains templates created by professional artists and is sourced from the Ableton free download section of their official website.
Free Ableton Projects from the Ableton official website
Ableton Beginner Tutorials
First of all, check out our Ableton Live Skill Builder course. This 52 part series will take you from zero to hero in just a few hours. We’ve uploaded the entire course to YouTube so you can watch it for free.
Here’s the entire playlist embedded onto this post for you:
(PLUS: Go here to download and dissect the completed project file from this course)
Just click on the menu bar icon in the top left of the video if you want to skip to other videos in this playlist.
These videos are Ableton Live tutorials that will help you get started with Ableton.
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Ableton Tips and Tricks
These Ableton tips will help streamline your music production. Each link has tons of useful tricks to make things easier while creation music.
Ableton Keyboard Shortcuts
Get to know these shortcuts to move things along faster. Learning these shortcuts will help you make music faster and with less hassle.
Living by the mantra, “life is good, time is precious, make people smile,” Atlanta-based producer STLNDRMS’ biography reads like a Hollywood movie script.
In addition to co-founding the producer collective and beat showcase Controllerise, creating the Slappy Drums sample pack, and building an Instagram audience of over 50,000, the veteran beatmaker has also done stints as a military employee, telecommunications expert, MC, and photographer for Future, Jeezy, and Schoolboy Q.
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STLNDRMS’ music career was cultivated during long stints abroad. His first foray into production was nearly two decades ago, when he composed his early instrumentals while living in Italy. A few years later STLNDRMS and his family based themselves in Tokyo, where he landed a music licensing deal for the video game MadWorld and the sequel Anarchy Reigns as an MC named Ox.
Now back in the US, working out of his Atlanta home studio, the years of nomadic crate-digging shine through STLNDRMS’ trippy, slowed-down soul samples and crunchy drum hits. Many of his songs are constructed out of bits and pieces of lesser-known music others overlook, such as rare Japanese 45s and vinyl versions of old anime soundtracks like Lupin III and Cowboy Bebop, along with Tracklib samples, and his staple jazz and soul records.
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He often lets the emotion of the song he wants to create guide him when searching for sounds to transform. “I’m looking for tone, texture, and clarity – trying to match the aesthetic I’m feeling for the record,” he says.
“Also, fire loops,” he adds with a laugh.
As for the tools he currently uses to slice up samples, fans of his live Facebook video series Beats+Chill will note that his MPC2000XL has been a mainstay for some time. After years of practice, STLNDRMS’ proficiency with the 2000XL is now a form of automatic recall. “On the MPC, I literally put my hand on top of the record and stop it, take my hand off and grab the little piece that I want and assign it to a pad,” he says. “To build a kit it would take me minutes.”
Many projects like the early fan favorite “lifestyle” and the 2017 album Veggie tacos heavily utilized the 2000XL, Roland SP-303, and SP-404 – a combo he still uses today, albeit in modified form. Chopping up samples in the MPC, STLNDRMS records into an eight channel mixing board for EQing and minor effects, with the 404 providing his signature stutters and dropouts and the 303 adding its characteristic vinyl simulation.
He maintained a fierce loyalty to the MPC/303/404 setup for some time, but a broken MPC forced a change of pace during the making of 2018’s Veggie tacos III. Using Maschine to compose about half the songs on the album, it was around this time that he decided to make Live part of his process.
STLNDRMS performs Veggie tacos on his SP-404
After initially quitting on the DAW due to a sample importing and chopping method he was unfamiliar with, Live opened many new musical doors once he gave it a second chance. “The flip side of that issue is all the mixing tricks and opportunities I can do for looping and stretching, and a hundred million other things that are available to me,” he says.
https://brownkorea476.weebly.com/warcraft-3-patch-download-129.html. Looking back on his early experiences with Ableton, STLNDRMS believes he overwhelmed himself by trying to learn all aspects of Live and Push instead of easing himself into new and unfamiliar territory. “I didn’t understand the program, so trying to learn Push and Live at the same time was really awkward coming from MPC,” he says. “I decided I would learn the program first by itself, just using my keyboard. Once I learned it that way everything made sense.”
Another crucial adjustment was getting the Live mixes to evoke his signature sound. Coming from vintage gear that’s known for imparting a certain warmth on samples, giving Live compositions a similar feel took some time. “That took forever,” he says. “Ableton is awesome because it does not impart any sound whatsoever, it gets out of the way and lets you create. But at the same time it doesn’t have a sound, so you gotta figure out how to create a sound in it.”
After a lot of trial and error, he can now use Live in isolation to get the feel and sound of the MPC by running multiple plug-ins at once – a technique that defies conventional wisdom. “Everybody says not to do this, but I ended up with like 10 different plug-ins on my master bus,” he says. “Once you add them all up, you get a tone very similar to the MPC.”
He also figured out how to expand the possibilities of Live by using his new tool in tandem with older gear. “I get my MIDI Sync for my MPC so I can still chop like I wanna chop,” he says. “Then I get the modification tools in Ableton. It’s the best of both worlds.”
Not content to just link his MPC, STLNDRMS also uses the 303 as a bus compressor through Live’s External Audio Effect device. “I can say, ‘OK, bus everything to 303 from the MPC’ and use that as a mastering tool,” he explains. “The crazy thing is, Ableton is using my 303 like an effect.”
STLNDRMS also finds Live helpful in crafting distinct drum tracks through a rather labor intensive and multifaceted method, though he cautions producers against trying to mimic his process step by step. “Do whatever sounds dope to you,” he says. “Take everything I and anybody else says with a grain of salt. We’re all clueless in the end.”
When he builds percussion patterns he is very specific about his EQ levels, especially with his kicks. “I like my kicks big, so I boost lows 60-70hz,” he says.
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Other drum sounds may need an increase or decrease in EQ – or no adjustment at all – depending on the qualities of a given song. Though cutting EQ often creates a more subtle effect than boosting, it’s a technique he likes to play with if the record is too crowded. “Snares I may boost around 150, but I may cut in the same place if the record is busy,” he says. “Hats I don't boost.”
“Make 10,000 beats. I’m 100% sure every answer that you want to know is in that journey somewhere. Just start cooking and you’ll figure all that shit out.”
Like many producers who opt for a more human touch, he generally avoids the quantize feature – though he fiddles with individual notes and drum hits as needed once a beat is complete to get them just right.
Messing with the EQ is a critical part of the percussion process, but simulator plug-ins and additional reverb also play a pivotal role in taking the sound to the next level. “I tend to send the drum bus to a tape sim now,” STLNDRMS says. “I like the warmth. I’ll also add a little reverb on the top of the bus to give a cohesive space to the drums.”
He also cites UAD’s Ocean Way Studios dynamic room modeling plug‑in and Cytomic’s The Glue compressor plug-in as vital tools in giving his music the desired vibe.
Using Live to play with and build chords is an endlessly fascinating rabbit hole of experimentation for STLNDRMS – one that has added a whole new depth to his sound. “I’ll build a chord progression, then copy that to 2 or 3 tracks with different sounds to build up a bed of sound and I’ll add arpeggiators to give more texture,” he says. “They tend to be on the grid so I’ll shift the MIDI to make them a bit off time. It gives a more musical vibe, more human.”
A STLNDRMS BEATS&CHILL session
Just like in the studio, Live is proving to be a game changer when it comes to live performances like a recent meet and greet with Atlanta Hawks star Trae Young. “We did a big thing with Verizon a little while back where they had four or five different painters from the city come out and paint canvases,” he says. “It was like, ‘We want you to make a new beat for each canvas.’”
As creative synergy grew between painter and producer, STLNDRMS seamlessly maintained the vibe, adding and removing samples throughout his set. “I would drop the drums and program some new ones,” he says. “Then they would come in and I would drop the sample and program a new one. Or I could use the crossfader and blend between a sample and the next one and then drop in an acapella on time.”
Now, with events like these raising his public profile even more, STLNDRMS finds a new influx of young producers seeking his council on how to get a foot in the door of the industry.
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Reflecting on the path his music career has taken over the past 18 years, his advice is rather simple. “My answer is always the same, every single time,” he says. “Make 10,000 beats. I’m 100% sure every answer that you want to know is in that journey somewhere. Just start cooking and you’ll figure all that shit out.”
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Keep up with STLNDRMS on his website and Instagram.
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Text and interview: Gino Sorcinelli